Louis Ghysebrechts - Solidified Mechanics - Sold
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€80
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Starting bid
€100
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Starting bid
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Jean Dupuis - HORSE MOTIV signed
Starting bid
€100
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- Description
- Louis Ghysebrechts (1932-2021)
| Type of artwork | Prints (signed) |
| Year | 1978 |
| Technique | Silkscreen |
| Support | Paper |
| Framed | Framed |
| Dimensions | 24 x 19 cm (h x w) |
| Incl. frame | 40 x 30 cm (h x w) |
| Signed | Hand signed |
Translated with Google Translate. Original text show .
Louis Ghysebrechts, screen print No. 60/75, signed in pencil. Title: Solidified Mechanics No. 60/75 Year 1978 Paper size: 40 x 30 / image: 24 x 19. Condition: In excellent condition
The pararealism of Louis Ghysebrechts. 'The plane is full of magical signs, there are open doors to multi-dimensional worlds, there is the eye that sees itself and also the things that lie beyond the horizon of the immediately recognizable.' When W. de Bruijn, following an exhibition in Venlo in 1966, characterized the art of Louis Ghysebrechts with these words, he foresaw, as it were, how Ghysebrechts would evolve in the future. At that time, Ghysebrechts only exhibited paintings, drawings and monotypes. Afterwards he changed medium. The background described in the opening paragraph has not only remained unchanged, but has simultaneously, as in concentric circles, widened and deepened, energetically condensing their core.
Between 1967 and 1972, Ghysebrechts (Hasselt, 1932) mainly exhibited collages, which he composed from the most everyday basic material: colored clippings from illustrations, waste products from reading and viewing material for the masses. Translated into a surprisingly new constellation,
The pararealism of Louis Ghysebrechts. 'The plane is full of magical signs, there are open doors to multi-dimensional worlds, there is the eye that sees itself and also the things that lie beyond the horizon of the immediately recognizable.' When W. de Bruijn, following an exhibition in Venlo in 1966, characterized the art of Louis Ghysebrechts with these words, he foresaw, as it were, how Ghysebrechts would evolve in the future. At that time, Ghysebrechts only exhibited paintings, drawings and monotypes. Afterwards he changed medium. The background described in the opening paragraph has not only remained unchanged, but has simultaneously, as in concentric circles, widened and deepened, energetically condensing their core.
Between 1967 and 1972, Ghysebrechts (Hasselt, 1932) mainly exhibited collages, which he composed from the most everyday basic material: colored clippings from illustrations, waste products from reading and viewing material for the masses. Translated into a surprisingly new constellation,
| Condition | |||||||||||
| Condition | Very good | ||||||||||
| Shipment | |||||||||||
| Pick up | The work can be picked up on location. As a buyer you must bring your own packaging materials. The location is: Hoensbroek, The Netherlands | ||||||||||
| Shipment | Parcel post | ||||||||||
| Price | Up to 2 kg.
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| Guarantee | |||||||||||
| Guarantee | By putting the item up for auction, I agree with the Terms of Guarantee as they are applicable at Kunstveiling regarding the accuracy of the description of the item | ||||||||||
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Belgian