Theo Beerendonk - 1960s pencil/charcoal drawing "female nude" signed
- Description
- Theo Beerendonk (1905-1979)
| Type of artwork | Drawing / Aquarelle |
| Period | 1945 to 1999 |
| Technique | Charcoal |
| Support | Paper |
| Subject | Nude |
| Framed | Only in Passe-partout |
| Dimensions | 33.5 x 25 cm (h x w) |
| Passe-partout | 57 x 41 cm (h x w) |
| Signed | Hand signed |
Translated with Google Translate. Original text show .
Beautiful 1960s pencil/charcoal on paper drawing by Amsterdam multi-disciplinary artist Theo Beerendonk (1905-1979). This "elegant female nude" is slowly moving towards his abstract period. The drawing is in good condition and is signed lower left. In (slightly yellowed) passe partout - not framed. Sheet size 33.5x25cm.
Biography: Theo Beerendonk
The oeuvre of Theo Beerendonk (1905-1979) reflects the stormy developments that art went through in the twentieth century. Beerendonk quickly built up an impressive oeuvre with portraits, still lifes and nudes that stood out due to their idiosyncratic use of colour.
Theodorus Hendricus Johannes (Theo) Beerendonk studied from 1925 to 1931 at the Rijksacademie van Beeldende Kunsten in Amsterdam, where he received a solid classical painting education under the guidance of professors JH Jurres and Hendrik Jan Wolter. In the thirties Beerendonk made a splash with daring nudes, in the tradition of his great predecessors George Hendrik Breitner, Isaac Israëls and Jan Sluijters. In addition, he painted portraits, still lifes, flowers, figures and landscapes, and he also devoted himself to etching, in which he achieved true mastery. He mastered all techniques, from dry needle and mezzotint to aquatint and vernis-mou. He was a member of various organizations: Maatschappij Rembrandt 1944, St.-Lucas Amsterdam 1944, Arti et Amicitiae Amsterdam as a member until 1956 and as 2nd chairman from 1957.
After World War II he began to stylize and abstract his subjects and his work became more abstract.
In 1966, Beerendonk was appointed curator at the Rembrandt House Museum in Amsterdam, where he gave demonstrations of etching and also reprinted Rembrandt's copper plates.
Beerendonk's own etchings mainly show cityscapes of Amsterdam and the landscape surrounding Amsterdam, as Rembrandt must have seen it.
Biography: Theo Beerendonk
The oeuvre of Theo Beerendonk (1905-1979) reflects the stormy developments that art went through in the twentieth century. Beerendonk quickly built up an impressive oeuvre with portraits, still lifes and nudes that stood out due to their idiosyncratic use of colour.
Theodorus Hendricus Johannes (Theo) Beerendonk studied from 1925 to 1931 at the Rijksacademie van Beeldende Kunsten in Amsterdam, where he received a solid classical painting education under the guidance of professors JH Jurres and Hendrik Jan Wolter. In the thirties Beerendonk made a splash with daring nudes, in the tradition of his great predecessors George Hendrik Breitner, Isaac Israëls and Jan Sluijters. In addition, he painted portraits, still lifes, flowers, figures and landscapes, and he also devoted himself to etching, in which he achieved true mastery. He mastered all techniques, from dry needle and mezzotint to aquatint and vernis-mou. He was a member of various organizations: Maatschappij Rembrandt 1944, St.-Lucas Amsterdam 1944, Arti et Amicitiae Amsterdam as a member until 1956 and as 2nd chairman from 1957.
After World War II he began to stylize and abstract his subjects and his work became more abstract.
In 1966, Beerendonk was appointed curator at the Rembrandt House Museum in Amsterdam, where he gave demonstrations of etching and also reprinted Rembrandt's copper plates.
Beerendonk's own etchings mainly show cityscapes of Amsterdam and the landscape surrounding Amsterdam, as Rembrandt must have seen it.
If you would like to view the artworks offered by us (before the auction ends), you are of course very welcome in our shop in Purmerend. Please send a message/email in advance to schedule an appointment. After the auction you can choose from various shipping (Postnl) / delivery (Swift or our own courier) and / or pick-up options (depending on the size and fragility of the item in question). The packaging is done carefully and with sufficient material (bubble wrap / mdf panels) to limit any damage to a minimum. For multiple purchases we will, where possible, combine shipping to keep the costs for you as low as possible. Pick-up is possible at any time up to 1 month after purchase! If you need more time, that is always negotiable.
| Condition | |||||||||||
| Condition | Good | ||||||||||
| in good, sharp condition. The passe partout is somewhat yellowish. | |||||||||||
| Shipment | |||||||||||
| Pick up | The work can be picked up on location. As a buyer you must bring your own packaging materials. The location is: Purmerend, The Netherlands | ||||||||||
| Shipment | Parcel post | ||||||||||
| Price | > 10KG or bigger than 1.00 x 0.50 meter
| ||||||||||
| Guarantee | |||||||||||
| Guarantee | By putting the item up for auction, I agree with the Terms of Guarantee as they are applicable at Kunstveiling regarding the accuracy of the description of the item | ||||||||||
The seller takes full responsibility for this item. Artpeers only provides the platform to facilitate this transaction, which has to be settled directly with the seller. More information .
Dutch